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    December 10

    寻枪。。。

          关于《寻枪》,一直觉得它是一个寓言,一个关于身份、权力的寓言。枪是马山身份的象征,是他权力的保证,而失去了枪,最可怕的不仅是会落到犯罪分子手里,更可怕的是他的身份和权力的丧失。片中有这样一个镜头:局长得知马山丢失手枪以后,命令他交出警服。刚刚还身穿警服威风八面的马山,忽然间只剩下黑T恤和裤衩,落魄之情溢于言表。

          马山是警察,是在体制内生存的人,由于体制赋予他的权力,在这个体制内他威风八面,从人们对他的敬畏和他自己的霸气来看,他很是受用。而在体制以外,他并不成功,儿子不太服从他管教,而李小萌的突然出现又使他与妻子之间出现了某种危机(也许这种危机本来就存在,只是因为李的出现被放大了?)。而这一切,又似乎都是在他丢失枪以后发生的。丢失枪,不仅让他失去了在体制内的身份和权力,也令他在体制外的生活恶化了。因此他急切地寻枪,以及他的恐惧、慌乱、多疑便是可以理解甚至值得同情的了——这个男人是在为拯救自己而战斗。仔细想来,像马山一样的人在这个世界到处都是,可能我们有一天也会像他那样。这样的故事极具张力,能够抓住不少观众的心。

          影片的外景地是四川(或者重庆)的小镇,潮湿多雾的镇子,在马山眼里,格外陌生和可怕,处处透着杀机。陆川对画面的控制力极强,把那种充满悬念和恐惧的气氛完全渲染了出来。在我看来,画面可以打90分。而所有演员的对白都是当地方言也令我很受用,四川话我听着很亲切,呵呵。

          总结两句,陆川凭借此片惊艳亮相,姜文再次证明了他是大陆最好的男演员之一。

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